Press

End of Man

‘End of Man‘ is resplendent with ripping guitar solos, pounding drums, chugging bass, and eccentric keyboards. [. . .]

Opener ‘Lower Dawn‘mashes up Nirvana-esq guitars with impelling new wave keyboards, while ‘Sobering‘ sees a frantic race between every instrument towards a slower synthetic string finale. [. . .]

My favorite song on the album ‘In the Air‘ has something of early Mental As Anything about it – trust me, this is a good thing! It’s a punky, percussive pleaser of a tune with a mental guitar ending! “In the air, I don’t care.”

The irony is strong in ‘Groovy Feeling‘ – distorted 60s garage pop with lyrics of quite a different meaning.. The ‘Man Cave Man‘ inhabits an ever-shrinking circle – take this as a warning! Another synth-heavy number with a Levellers guitar sound.

I’m counting up the number of different bands these guys appear to take inspiration from – in ‘Heads‘ it’s probably The Cure at the forefront! Suitably gothic, I’m hoping this is the next single release – it’s a very strong track indeed.

Hey, Mister!‘ is the band’s ‘caterwaul about middle age’. A great guitar solo embedded into a disco meets rock meets Shane MacGowan number! Final track ‘Eye of God‘ is another new wave inspired sonic splurge – the atrocities of the genocide in Palestine providing plenty of sobering material for the lyrics.

– Punktuation, “Album review: Lunchmeat return from a 10 year hiatus with ‘End Of Man’”

“In the Air”

It’s a must-listen from the Canadian 5-piece band, with an abundance of noise and an angry, grunge-tinged punk style. But…for all of its aggression, it’s also incredibly infectious and fun.

– From the Strait via Instagram

The perfect song for your rebellious side has been released by Lunchmeat and it’s called ‘In the Air’. If you love grunge, stay and read this.

Sometimes all you need is to disconnect and let go of that all-consuming anger to unleash your malaise. Play the single ‘In the Air’ by Canadian band Lunchmeat and it gives you just that: a dose of raw punk, grunge and post-punk that’s inspired by legends like Nirvana and the vibe is a reflection of how messy and fierce this genre can sound.

The song has no room for peace, as soon as it starts, it hits you with heartbreaking riffs and a lyric that holds nothing back: ‘I know someone who is really bad, wish that they were penniless and sad’. And so, between each word, the desire to escape the shit that surrounds you grows and it’s all sung with no softness, just fury and venting. It’s a direct dig at those who deserve it, a battle cry for your worst enemy.

– Pop Punkers, “Lunchmeat – In the Air

Having been away from the new music scene for more than a decade, Canadian outfit Lunchmeat have now made their long-awaited return to deliver their ferocious new single ‘In The Air’.

Bringing back more of that tenacious punk energy they first arrived with, ‘In The Air’ makes for an incredibly bold and driven return for them. Filled with blistering hooks and a grizzled texture throughout, they are returning with one of their more impactful efforts to date here.

– Return of Rock, “Lunchmeat unleash their ferocious new single ‘In The Air’

With a roar that strikes like a thunderbolt in the middle of a storm, ‘In the Air’ by Canadians Lunchmeat is a track that pulls no punches. The main progression conveys an unsettling sense of uncertainty, almost as if on the brink of something big, as the hard and direct punk rock bursts forth to make clear the intentions of this explosive piece. The band holds absolutely nothing back on this song, an energetic scream that isn’t afraid to put the pedal to the metal.

‘In the Air’ is a song that lives on contrasts: it has a dense, emotionally charged backdrop, but at the same time is surprisingly easy to digest. There is something in its structure that invites you to let go, to get lost in its intensity, while the memorable chorus – so easy to remember that it settles in your mind from the first listen – becomes an unbeatable hook.

The vocal performance deserves a special section. Here it’s not just about singing, it’s about conveying an intention, an attitude. There is a palpable disdain in every phrase, a mixture of fury and resignation that adds layers to the experience. The vocal intonation is the highlight of this section, giving a genuine touch to a song that is not afraid to show its teeth.

According to the band, ‘In the Air’ is about hating people so much that you just want to disappear into the clouds for some alone time. And that sense of fed-upness and isolation is perfectly encapsulated in the track. It’s short but punchy, ideal for switching off, turning up the volume and getting lost in its rawness.

‘In the Air’ is a blast of pure energy, a track for those days when all you want to do is escape, scream, or just let yourself go.

– Avanzada, “Lunchmeat explodes with ‘In the Air’

“We Will Make You Eat Your Words”

Lunchmeat’s return after a 17-year hiatus is nothing short of explosive. ‘We Will Make You Eat Your Words,’ the second single from their upcoming album, captures the essence of grunge and punk with a dirty, gritty edge that perfectly reflects the frustrations of modern life. This mid-tempo rock track is a raw, unapologetic commentary on bad jobs and exploitative workplaces, channeling a sense of anger and rebellion that’s as relevant today as ever. It’s a defiant anthem for anyone who’s been chewed up and spit out by a system that thrives on burnout.

Musically, the song is a riot of distortion and noise. From the opening moments, it’s clear that Lunchmeat is back in full force. The guitars are drenched in fuzz, swirling around with a raw, unpolished energy that taps into the band’s grunge roots. The bassline is thick and dirty, adding a weight to the track that feels both grounding and chaotic at the same time. The drums pierce through with a punchy, pogoing beat that propels the song forward with infectious momentum. The entire track feels alive, like it could come apart at any moment—but it doesn’t. Instead, it builds and swells into an epic, full-throttle anthem.

What makes this track so compelling is its ability to blend grunge, punk, and even new wave influences. There’s a distinct Devo vibe woven into the mix, as arty, angular guitar lines and quirky melodies subtly peek through the distortion. This unexpected touch adds an eccentric flair to the track, giving it a unique edge that sets it apart from typical grunge fare. It’s a creative marriage of the dirty, rebellious energy of punk and the weird, experimental undertones of new wave.

The solo, in particular, is a masterclass in controlled chaos. Fuzzy, lo-fi, and drenched in chorus, it feels like an instant throwback to the ‘Nevermind’ era of grunge, yet still carries the band’s signature punk bite. It’s the kind of solo that feels both nostalgic and fresh, perfectly encapsulating the song’s emotional core.

The vocals are raw and authentic, drenched in the same gritty realism as the rest of the track. There’s a frustration in every word, a sense of real anger that speaks to the universal experience of feeling stuck in a dead-end job. The lyrics call out the hypocrisy and exploitation of the workplace, with a message that anyone who’s ever felt like they’re just a cog in the machine can relate to.

‘We Will Make You Eat Your Words’ is epic and enthralling, from the infectious hooks to the swirling whirlpools of noise that wash over you. Lunchmeat have managed to capture a sense of urgency and energy in this track that’s impossible to ignore. It’s a perfect blend of punk, grunge, and new wave, with enough artistic flair to keep things interesting and fresh. This track is a testament to the band’s ability to blend raw emotion with artistic experimentation, and it leaves you wanting more.

With this single, Lunchmeat proves they’ve not only picked up where they left off but have evolved in ways that make them even more exciting. There’s a lot more to come from this band, and if ‘We Will Make You Eat Your Words’ is any indication, their return is bound to be an exciting ride.

– Click Roll Boom, “SINGLE REVIEW: Lunchmeat – We Will Make You Eat Your Words

“Heads”

Seventeen years is a long time to go without releasing music, but Lunchmeat prove they haven’t lost an ounce of their edge with ‘Heads.’ It’s a whirlwind of post-punk energy, buzzing synths, and rebellious undertones, blending elements of the past and future into something strikingly unique.

The track wastes no time setting its tone. A thick, buzzing synth riff kicks things off, immediately giving the song a mechanical, almost futuristic feel. Cold, Cure-esque guitar lines weave their way in, adding a post-punk sharpness, while hints of Erasure-esque synth textures give it an unexpected warmth. But just as you think you’ve got a grip on where it’s going, the song shifts—moving into a moody electric piano breakdown, complete with swirling reversed guitars that make the whole thing feel like a dream sequence.

Then comes the explosion. The final stretch of ‘Heads’ is nothing short of chaotic catharsis—group shouts, pounding rhythms, and a sense of release that feels almost necessary after the tension built up in the earlier sections. Lyrically, it’s an imagistic take on class war and revolution, not so much telling a straightforward story as painting a feverish, dystopian picture. But despite its heavier themes, the track never loses sight of its hooks—it’s built on catchy melodies, swaggery verses, and a furious energy that feels like it’s always on the edge of tipping over. ‘Heads’ is a statement, a trip, and a storm all at once.

– Click Roll Boom, “SINGLE REVIEW: Lunchmeat – Heads